Monthly Archives: May 2013

Beautiful 11 day old Baby Thomas and his family | Hobart Newborn photographer, Katinka Smith

I love to photograph newborn babies, they are so new, cuddly and super sweet. I got to spend a lot of quality time with Mr Tom, how lucky am I!. This lucky baby has a beautiful big brother and a gorgeous mum and dad. I don’t photograph on green very often…in fact I have had this green wrap for ages and hadn’t used it. When mum said she wanted green, I got very excited and pulled it out! Yes, I think I quite like green!!

 

Hobart children's photographer Hobart newborn photographer Hobart newborn photographer Hobart newborn photographer Hobart newborn photographer Hobart newborn photographer Hobart newborn photographer Hobart newborn photographer Hobart newborn photographer

An afternoon with the Graham family in New Norfolk | Hobart family photographer, Katinka Smith

Autumn is a beautiful time of year, so where better to do an outdoor family session that in New Norfolk amongst the lovely yellowing landscape! It was a beautiful afternoon, with amazing light and wonderful weather. It did threaten to rain and a couple of times we had some light spitting – argh! But nothing was going to deter Jet. He was there to run and have fun; rain, hail or shine!

Graham_03_bw Graham_08 Graham_13 Graham_19 Graham_24_bw Graham_27_bw

An outdoor family session full of love and fun | Hobart family photographer, Katinka Smith

A couple of weeks ago I got to catch up with this lovely little family to capture their bonds and love for them to cherish together. When I photograph a family, a baby or a child, I take on the point of view of the child. I want to capture images that they can look back on in 10, 20, 30 years time and see the love and bonds that existed in their family. We are generally nostalgic about our childhoods, I try to immortalise those connections to keep forever. Also as parents we are nostalgic about our children’s childhood and these special little babies that grow into independent people of their own. So I head into a photoshoot with all of that on my mind, and I want to capture those true, real connections that are unique to these families that invite me into their lives.

This family are no exception. So much love, so much fun.

Edmunds_27 Edmunds_36 Edmunds_46__bwEdmunds_43__bw Edmunds_50 Edmunds_70Edmunds_55__bw Edmunds_56__bw Edmunds_59 Edmunds_92

A before and after:
We lost light FAST in this session and to keep my shutter speed at 200 (fast so that I can freeze motion of running children) and keep my f stop deep enough to have everyone in focus, I pushed my ISO up to 1000 to expose the image (the other option is to use flash). My new 5DmkII handles high ISO so well! I was very happy. My 7D would have made a meal of ISO this high. As it was later and we had lost the sun the images from this part were very cold and dark, so I warmed them up to give them some life and to match the rest of the images from the afternoon that had gorgeous golden afternoon glow. The top image is straight out of camera and the bottom image is the final edit. (This is also why I never give out raw or SOOC images ever from a session. To me that is only a quarter of the job, it would be like going to a restaurant and the chef giving you the ingredients on a plate for you to do it yourself. The bottom image is the photo from the camera brought to life with my creative vision. That is the biggest part of my job 🙂 )before after

Newborn baby Jacey | Hobart newborn photographer, Katinka Smith.

On Anzac day I got to meet and photograph beautiful Miss Jacey. Jacey was just under two weeks old, which is the BEST time to photograph newborns to get this style of photos (after this age they begin to stretch out, lose their flexibility and startle easier when asleep). I had a great time at this session and we got so many different setups and poses in, it was wonderful. Mum and dad are long time friends of ours, so it was wonderful and an honour to be a part of this special time in their lives. Thank you John and Karen!.

One of my favourite poses is the chin in hands pose. We got to do this in this session and right at the bottom of this post is a before and after so that you can see how this pose is done safely

Here is their story, I will advise that there is a tissue warning for the slideshow, don’t say I didn’t warn you! 🙂 (it may not work on mobiles – sorry!)

IMG_0106__ks_web

IMG_0122_web Jacey_05_web Jacey_13_web Jacey_18_bw_web Jacey_20_bw_web Jacey_24_web

Chin in hands pose – How to pose this image safely. Photograph two separate images and blend them together in photoshop. This way there is no unnecessary stress placed on baby’s spine and neck.

Two separate images with dad holding his baby:before composite_web

The final edited image from Photoshop. Yes this takes time to edit, but to me, it is worth the extra time in photoshop to ensure the safety of my tiniest clients.IMG_0131__ks copy_web

How to Photograph an Aurora | Katinka Smith Photography

The sun goes through a 12 year cycle with regards to its activity. It goes from very active to very sleepy. The active period is known as Solar maximum and we are in a solar maximum this year (2013). With the VERY exciting solar activity that has occurred in the last few days and the hope and promise of more to come, I asked on my Facebook page if anyone would be interested in a blog post about how to photograph an Aurora. The response was positive, and so here it is.

Firstly I will assume that we already know that an Aurora is possible and that you don’t want to know how Auroras are caused or any of the nerdy technical details of an Aurora. You just want to take photos of the Aurora. OK! (If you do want to know about how an Aurora is CAUSED then this video is fantastic! It is just under 5 minutes and explains it perfectly).

What do you need to photograph an Aurora

  1. A camera. YES! That’s right. You will need a camera that allows you to take manual control of the settings and the focus and push the ISO up.
  2. A fast and wide lens. Honestly you can photograph the Aurora with pretty much any lens, but if you want the ideal set up, then fast and wide is it. The lower the aperture number (ie F2.8) the more light the lens will let in and you will get more light from the Aurora in your image. A wider lens allows you to get more of the sky in your photo (it looks more impressive!) Don’t fret if you don’t have a wide lens, you can always stitch multiple images together into a panorama using photoshop. Though a narrower lens will fill the frame with the Aurora, that can be great too! Experiment with your compositions and have fun!
  3. A tripod – a good sturdy tripod that can actually take the weight of your camera and lens. You will be leaving the shutter open a long time and if your camera moves on the tripod in this time then you will be VERY annoyed – trust me.
  4. Either a remote shutter release or the ability to set a timer on your camera. (this will cut the camera shake from manually pressing the shutter button). I have a release, but I usually just set the camera to a 2 second timer.
  5. Extra batteries and plenty of memory cards. Cold weather can drain batteries faster, so grab an extra one.
  6.  A light. These are fun for lightbombing people called ‘Jo’, but are also useful to being able to see what you are doing in the dark. (don’t really lightbomb people, they will get annoyed. Keep light use to a minimum, and turn it off when you don’t need it. Head lamps with a red option are best (though I don’t have one) ). Phone screens are good minimal light and I used this for a while until I dropped it and smashed in on the rocks, so now I use a head lamp 😉
  7. Warm clothes, beanie, gloves and I find that shoes with a thick sole are the best – cold creeps up through the earth and into our feet very fast and will make you FREEZE. Rug up, it gets cold at night. You don’t want to cut your session short because you get cold. I wear gloves from Kathmandu that have a mit thing that sits over fingerless gloves. So I can easily expose my fingers to change camera settings without removing my whole glove. Yes it really is the smallest things when you are cold! 🙂
  8. A friend to keep you company – in case nothing happens, some patience and a tank of fuel.

 Ready? Ok! Here’s how to do it.

  1. Ok, firstly you need to head somewhere dark and away from city lights/light pollution. At the bottom of this blog post I will give you the three most frequented locations around the Hobart area.
  2. Get your camera on your tripod, set you lens to manual focus and focus on infinity, turn your self timer on, or attach your shutter release. Manually set your white balance – the generally accepted norm is that WB should be set to daylight. People argue about this all of the time, but I find that for me, this produces colours that I consider accurate. For a dark night with no/minimal moon, a good place to start with your settings is:
    –     Aperture – as low as you can go (f2.8 for example)
    –       Shutter speed – around 15 seconds. (If you go longer to about 30 seconds, you might start to get stars beginning to trail and the curtains of the Aurora might blur together into solid colour. So it depends on the effect you want. Experiment and see what you like)
    –       ISO – this is where you make up the balance. Start at ISO of 1000. Take your aperture and shutter speed as a given now and adjust your ISO to let more light in or block light out. If your photo is dark you need to increase ISO, if it is too bright, then reduce your ISO. If you have a low end camera your images will be ‘noisy’ at high ISOs, a little noise can be handled in post processing, too much will destroy the photo. If you have way too much noise then you have no choice but to increase your shutter speed toward 30 seconds.
  3. Experiment with your settings. Faster shutter speeds will get better curtains, but will require a high ISO. Slower shutter speeds will allow you to blur your curtains into solid blocks of colour (you might like this) but your stars might begin to trail.

 My tips:

TEST SHOT When you get to your location and want to test a composition, or see where the Aurora is and how bright it is (they aren’t always visible to the naked eye), push your ISO as HIGH as you can go, and take a 5 second photo. This allows you to really quickly do a ‘test shot’ before hankering down and setting everything up or wasting 30 seconds of time to find out what you need to know quickly. Once you have done the test shot, have a composition you like and are pointed in the right direction, adjust your settings and get to work. (I do hand held test shots on arrival).

MOVE. It is very tempting to just sit in one place and take 500 photos of the same thing. The Aurora changes every few seconds and it is so exciting, but when you get home and look through those 500 photos and realise you really only have 1 photo, or maybe 2 because they are ALL THE SAME. You’ll slap yourself. (again, trust me 😉 ).

Infinity focus.
Each lens is actually different, and not all lenses focus at infinity on the line or on the infinity symbol (sideways 8). You will need to fiddle with this to work out your sweet spot using trial and error. If you have live view mode on your camera then it is easy to work out your infinity focus point.
–       Flick on live view mode and find a bright star in the sky.
–       Zoom in as far as you can on this star using the + magnification on the live view display (not using your lens).
–       Adjust the focus ring on your lens until the star is pin sharp on your screen.
–       STOP.
Look at your focusing ring and note where the sweet spot is for infinity. Mark it if necessary (I know some people who have scratched this mark in using a Standley knife so they can find it easy in the dark! Ha!) This will always be your sweet spot for infinity focussing for night photography. Always check your focus each time you move location or put your camera in and out of your bag. 🙂

Avoid star trailing  – the 600 rule.
To avoid your stars trailing in your shot, keep the 600 rule in mind. On a full frame camera divide 600 by the focal length of your lens to get the maximum number of seconds that you could have the shutter open before stars trail. For example if you are using a 24mm lens on a full frame camera, then you could open the shutter for 600/24 = 25 seconds without stars trailing. To prevent your stars turning into ‘eggs’, go for 500 instead of 600. If you are using a crop body, then multiply your focal length by the crop factor before calculating. For example a Canon 7D has a 1.6x crop. So a 24mm lens on this camera is 24×1.6 = 38.4. 600/38.4 = 15 seconds maximum shutter length to avoid trailing.

Join the Aurora Tasmania facebook group
To get a heads up on a possible Aurora and to find out about confirmed sighting before getting out of your pyjamas, then this is the place!

Where to photograph an Aurora
People ALWAYS ask me ‘Where should I go to get a good photo of the Aurora’ The VERY simple answer is ‘anywhere away from light pollution that gives you a good view south’. But most of us (including myself) seem to be direction challenged, and unless I saw where the sun rose, I have no idea where East is! So get onto Google maps and suss out some locations. Heading south from the city is good because it puts the city lights behind you. The tried and tested Aurora spotting locations close to Hobart are:

Betsy Island look out at South arm off South Arm Road (July 2012 – x1 class flare):

Aurora pano1

The beach and Jetty at Fergussons Avenue, Tinderbox (18 March 2013, Aurora with meteor):

Aurora and meteor

Howden Boat ramp at the end of Wingara Road (1 March 2013):

Aurora 2 March 2013

Howden boat ramp 1 May 2013 (coronal stream)
Aurora Howden

Good luck! Feel free to visit Katinka Smith Photography Facebook and let me know how you went! Or comment below, I would love to hear from you all! If you have any questions then please feel free to ask me 🙂

Katinka